Motionographer
Multi artist collaboration | Pass the Ball
Seasoned VFX Artist and 2D/3D Animator Matt Trudell Joins Cutters Studios’ Flavor as Motion Designer
A New Jersey native, Trudell joins Flavor after more than two years of freelance success as a highly respected Motion Designer.
Moonworks Productions | Creative genius never stops
SAUVAGE.TV | RIDERS REPUBLIC
NASA/Chris Smith | NASA’s Visions of the Future
HUGE Designs / Paul McDonnell | Around the World in 80 days opening titles
A Beginners Guide to Virtual Production with Pixotope
Virtual production is here to stay, But, what does it mean? And how do we get the most out of it? Multi-award-winning VFX Supervisor and Creative Director, Øystein Larsen, talks us through the basics.
Lazar Petric | Pirot Kilim
Full Story | The Unbelievable World Inside Our Gut
Mondlicht Studios | Narcos // Official Promo
Folio Illustration Agency Launches Folio Lab Animation Studio
Folio, a giant of the illustration world, launches its own in-house animation studio on 28 January 2022.
Tim Fox | Lil Wayne ft. Drake – She Will
Top 6 Tips for Animating Optical Illusions
Optical illusions are like magic tricks waiting on the page. London-based animator and director Chris Cray talks us through the best ways to get them moving.
Kong Studio | A Handy Explainer
Sophiana Oliva | Aegean Sea
First Fight | The Boys In Red Hats
Australia Leads the Region at Andy Awards APAC 2022
The ADVERTISING Club of New York’s International ANDY Awards, a barometer of the industry's best creative talent, has announced the regional shortlist winners across APAC 2022.
Morning Giants Studio | HKMA CDI Animation 2021
Revenant represented by Horton-Stephens
Horton-Stephens have a proven track record of working with the some of the best in stills photography and motion design. Throughout their years of experience they have also nurtured excellent relationships with advertising and creative agencies and are trusted in delivering high quality productions.
Heckler… Van Gogh, Lexus and The Lume…
Working with such a versatile, multifaceted landscape such as ‘The Lume’ was like nothing I’ve experienced before. Finding the rhythm of the piece across 30 large scale screens allowed me as the editor to provide the audience with a deeper visual and sensory experience.
Unexpected Inspiration™