Motionographer

As a director, Soloff specializes in and takes particular care to engage the viewer with fast-paced movements, using vivid colors as a descriptor of how one feels and wants to express themselves. Much of Soloff’s art is grounded in movement, whether it be a great deal of camera movement or dynamic movement direction with his subjects.

This is an open call for articles about your experiences with NFTs and the Metaverse.

Director and Creative Director at Scholar studio, Michael Tavarez, tells us why having a ‘specialty’ isn’t the only way to survive and thrive in Motion Design.

At Cutters, Hernández has contributed to numerous high-profile commercials for brands such as The General Insurance, Hallmark, Modelo, Nissan, Ram, and Rocket Mortgage.

Scholar welcomes Kate Aspell and congratulates former Head of Production Ryan McLaughlin on their new roles as Executive Producers in the New York studio.

Whether your notepad is packed full of resolutions or you’re already back on the cakes and biscuits, there’s still one thing we need to do before we can officially kick start 2022. So, grab yourself a coffee, take a seat, and take a look through our best performing Quickies of last year.

"‘Migrants’ was a graduation project for five students from PÔLE 3D in France. It encapsulated three subjects close to my heart: our problems with climate change, immigration, and the treatment of refugees."

COO and co-founder of DI4D, Douglas Green, discusses performance capture and digi doubles in the making of video games.

For a year that’s gone by in a flash, we’ve managed to cram in an enormous amount of work, haven’t we?

Together, with Edelman and UNFPA, the United Nations agency dedicated to advancing sexual and reproductive health and rights and ending gender-based violence, we just launched bodyright, a new copyright symbol for the human body.

Rauri Cantelo, Nevil Bernard and Tim Fox have joined the Global Production & VFX Studio for global representation.